Shiv is sleepwalking through an unhappy marriage. Kendall’s bond with his children has all but vanished. They are all twisting in the wind, quicker to anger and closer to acting upon their worst impulses. Hypnotised by the promise of wealth and power, they have irreparably turned on each other. The Roy siblings, who always managed to retain a loose bond despite their bickering, have been torn apart. The darkness at the heart of Succession, always present, if sometimes played for laughs, has decayed and expanded. Logan Roy, played by Brian Cox, in Succession season three. And let’s not forget, in the penultimate episode of Mad Men’s fifth season, Lane Pryce killed himself. This is how I feel about season three of Succession. Every conversation, no matter how mundane, felt like it existed explicitly to foreshadow something hideous. Remember season five of Mad Men, where Don Draper suddenly found himself surrounded by images of death? Nooses were drawn in margins, lift doors opened to reveal nothing but long dark elevator shafts, record players had the same dimensions as coffins. I don’t think I’m alone in noticing a small, but growing, amount of dread. My theory is that all this stasis is deliberate, that season three of Succession is testing our patience because a killer blow is about to rocket out of nowhere and leave us all permanently winded. Something that Succession won’t be able to reset the clock on. It was the same as the episode before that, and the episode before that.Īnd yet we keep watching, and I think I know why. At this point, there is little need for HBO’s nicely packaged Previously on Succession pre-roll montages, because we all know what happened in the last episode. The only real movement from anyone this season has come from Kendall and his growing messiah complex. Shiv and Roman are still bickering with one another. Shiv and Tom’s marriage remains in a holding pattern full stop. Logan is stuck in a holding pattern of gruff plotting. And yet, if you were forced to explain exactly what has happened so far this season, chances are you would struggle.īecause, really, what has happened? The season began with the fallout from Kendall’s unexpected public broadside against his father and, well, notwithstanding the FBI investigation, that is still where we are. It remains a staggeringly brilliant show an ice-cold snake pit of ever shifting loyalties, flecked with some of the most giddily baroque dialogue we have heard since Deadwood. W e are now more than halfwaythrough Succession’s third run.
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